However, the Casting Society of America has taken a more curious stand. It’s a job that casting directors are already paid by producers to do, they said. ![]() They said in interviews that they think it’s unethical to take money from actors (although the money actually comes from a third party, the showcase operator). Many casting directors agree and shun fee-paying showcases. One anonymous letter writer to a Hollywood trade newspaper suggested that showcases were not unlike “a job applicant putting $200 in an envelope, attaching it to his job application and passing it to the personnel director.” An estimated $500,000 ended up in casting directors’ hands. Last year, approximately 10,000 job-seeking actors in Los Angeles paid more than $1 million at about 3,000 individual showcase sessions, according to estimations made by Calendar based upon weekly showcase schedules and interviews with showcase operators. The Screen Actors Guild (SAG) and many actors deplore such a practice as being exploitative of actors the Casting Society of America (CSA), a national professional group of 185 casting directors, calls the practice educational.īut other actors say they pay for these showcases so that casting directors may see their work and, hopefully, call them in the future to audition for a role. At these sessions, actors pay the showcase operator (usually another actor) so that they may perform a short scene from a TV series, a play or a movie before a casting director, who is paid to attend. Second round interviews will be held in person on 18 July.Nowadays, job-seeking actors can meet many Los Angeles-based casting directors at operations known as showcases-as long as they’re willing to pay for it. Please fill out the equal opportunities form on our website.įirst round interviews will be held on Zoom on 11 July. Any application arriving after this date will not be considered. We will not contact these referees unless we ask you to attend a second interview.Įmail the above to no later than Friday 30 June 12 noon. A CV of no more than two pages which includes the names and contact info of two references. If you wish to identify as disabled, please write “Disability Declaration”.Ģ. What could it do for you at this moment in your career? Tell us what you want to get from the job. Make it clear how you answer the person specification A covering letter of no more than 1 A4 side. Direct a show in 2025 Footprints, or have a comparable opportunity. ![]() Watching rehearsal room runs, welcoming casts and creatives to tech. You will deputise for her accordingly, within the building/ externally. Stella will be in rehearsal at least twice during your time. Play an integral role in celebrating JST's 30th birthday. ![]() Working closely with Creative Associates (CAs) to direct, produce and administrate the programme's delivery and the Footprints Festival. Producing wraparound events around shows. Reading scripts and seeing shows at other theatres. Contributing to conversations about plays/ development of new work. Creating lists, checking availability, booking auditions, using Spotlight. This position is made possible by the generous support of Philip Carne MBE and Christine Carne. You will be mentored by Artistic Director Stella Powell-Jones and there will be meaningful opportunities to deputise for her. You will lead our Creative Associates programme. And in 2024 we will celebrate our thirtieth year!Īs Carne Deputy Director you will take a hands-on role in all aspects of running a theatre: administration, artist development, budgeting, casting, programming, fundraising, literary development and sales. The 2023/2024 Carne Deputy Director at Jermyn Street Theatre will play a key role in an exciting year for Jermyn Street Theatre: you will join us as we launch the first season programmed by Artistic Director Stella Powell-Jones and Executive Producer David Doyle. Do you want to be an Artistic Director/Artistic Leader in the future? Are you a director with 3+ years of experience? Are you excited by producing work as well as directing it? Do you want to sit at the artistic and producing heart of a unique theatre in a particularly exciting year?
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